Portrait for the cardist

There’s a time capsule on my desk. That’s what it looks like to me, but in reality it’s my new crafting tool, a Silhouette Portrait.

I’m not abandoning my trusty Slice Elite – there are so many designs that I have yet to cut out on that machine, and I love that’s it compact and portable. The Portrait’s compact for a desktop die-cut machine, which is important because my desk in the home office doesn’t have a lot of real estate, just like my craft space. I’m sensing a pattern.

The ability to design cut files is the reason I wanted the Portrait. I cannot wait to die-cut something I’ve designed. Why wait? Well …

After setting up the machine and its software, I tested it out by die-cutting some music-note shapes for a Father’s Day card. The design is intricate, and the Portrait performed fabulously. I took the die-cuts to my craft space to put them on my card and returned to the Portrait to die-cut “DAD,” but the machine wasn’t detected by my computer.

The power adapter that came with the machine is bad. No die-cut “DAD.” Sad. Silhouette is sending a replacement adapter. I’m disappointed that my new toy is temporarily unusable.

The die-cut music notes round out my music-themed card for my father-in-law, who loves Elvis and karaoke. I’m obsessed with Basic Grey’s Hipster collection (I used elements from the line last week and the week before), and the color palette is great for a masculine card.

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Here’s how to make it:

Make a card from a 5-by-10-inch piece of black textured cardstock. Cut a 4 1/2-inch-square piece of gray-and-cream, diagonally striped cardstock (mine’s from the Park Bench collection by Fancy Pants Designs), round the upper-left corner (I used a corner-rounder punch) and adhere it, centered, to the card’s front. Cut a 4-inch-square piece of vintage-themed patterned cardstock (such as “Jive” from Basic Grey’s Hipster collection), round the upper-left corner and adhere it, centered, to the striped piece.

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Adhere a 4 3/4-by-2 1/8-inch piece of cardstock that features images of music notes and a vintage radio (I cut mine from the Hipster collection’s “Nifty” paper) and adhere it, centered, to the bottom of the card’s front. Round the lower-right corner of the card and the matching corner from the back of the card.

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Distress several black die-cut shapes of music notes in different sizes (I created mine using my Silhouette Portrait and “Music Notes: Grunge” by Silhouette) with gray and light-blue pigment ink (I used Fresh Ink in slate and pool).

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Adhere the die-cuts in a random fashion to the right half of the card’s front (I decided to use only five of my die-cuts).

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Cut a piece of orange-and-cream, diamond-patterned cardstock (“Nifty”) to about 2 3/4 inches wide by 3/4 of an inch high, and trim its left end to a point. Stamp “DAD” (I used letters from the Spellbound collection by Making Memories) in brown ink (such as Vivid! ink in brown) onto the piece, centered vertically and closer to the left end.

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Using dimensional adhesive, affix this piece to the card’s front, about 1 3/4 inches from the top edge and lined up with the right edge.

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Adhere a wood veneer die-cut that spells “awesome” (Hipster) 1 inch from the card’s top edge and close to the left edge.

Fish out of water

My father loves fishing as much as he loves “Star Wars,” so it’s a given that the cards I create for him will be inspired by one of these topics.

After several years, I haven’t reached “crafter’s block” yet when making cards fro my dad. For Father’s Day this year, I gave a paper fish a voice via a wood veneer talk bubble. I also made waves by using a border punch as a template.

It’s too bad fish can’t speak. “Hey! Stop dangling that bait in my face!” “Hey! Put me back in the water! I was on a date!”

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Neon in the mix

In my craft space, there is no such thing as too much neon. I can’t seem to get enough of this trend: papers, inks, pens and – most recently – glitter. Five containers of glorious neon glitter, and I’m certain I won’t use all of it but I’ll make a valiant effort.

This card is all retro: I combined my bright neons with a stamped image of a (not-so-old) relic: the cassette. I get nostalgic looking at this stamp, but I’ll take digital music files over analog versions any day, thank you very much.

There’s a lot of neon in this design and a lot of patterns. I incorporated stripes, hounds tooth and two sizes of polka dots. Add the chevron pattern from the stamp, and there’s lot going on visually. The black and white tempers the look and provides a neutral backdrop for the neon colors.

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Sun salutation

The weather finally is warmer here in Springfield, Ill. The threat of spring super-snowstorms seems like a distant memory. The days are getting longer and summer will be here soon. I could do without the humid heat this region offers in summertime, but I look forward to the numerous fairs, festivals and other events during the season.

When I received a new stamp set last week with a “you are my sunshine” sentiment, the time was right to create a bright, sunny card. I decided to do without the “you are my” on that stamp and add “hey there” from another set.

My card needed some rays, though. I don’t have a stamp or patterned paper for that, but I had a plan. I created sunshine by cutting rays out of cardstock. Easy!

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Tweet crafting

Among the new acquisitions in my craft room are photopolymer stamps that traveled a long way to get there.

I was again browsing one of my favorite sites, Etsy, taking a gander at what type of stamps were available. That’s when I came across a brand I hadn’t heard of before: Flonz. A search on Google turned up the company’s website, where I discovered a wide array of clear stamps produced by a small business in New Zealand. I purchased a few and eagerly awaited the long-distance package. I was so excited when it arrived that I posted a photo of the envelope on social networks.

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I used one of the stamps the Kiwis sent me to try out a different inking technique. Lately, I’ve been crazy about paint mists. I’ve solely used Heidi Swapp shimmer paints in a few colors to ease myself into the medium. I’ve sprayed directly onto paper and indirectly onto chipboard. For this card, I sprayed the paint into a tray and used it to ink my stamp. It took several attempts to achieve a satisfactory transfer. I learned that allowing the paint to dry a little and using smooth cardstock helps create a clean image. I wanted a bit of texture in my image, though, so I stamped on the reverse side of textured cardstock, which shows a bit of the impressions in the paper.

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Stuck on washi

Mother’s Day is tomorrow, and (gasp) crafty you has been too pressed for time, in a creativity slump or (yipe) you forgot to make a card.

I was pressed for time this year, but washi tape came to my rescue. In half an hour, at most, I had a card.

I also tried stamping for the first time on washi. I used multi-surface inks just in case the tapes’ surfaces were too slick to absorb regular ink, and they worked well.

Tape, stamp, bling, stick … done. Fabulous!

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Arrows to the heart

One of my husband’s friends got married this weekend, and I was excited to create a card for the couple. As I’ve done with past wedding cards, I borrowed design elements from the invitation to use in my creation.

I created the patterned paper for this card by making the design in Adobe Illustrator and printing it on cream-colored cardstock. The black, magenta and cream are the colors of the invitation, and the pattern of the black hearts mimics a bold, modern font that the couple used. The design has repetition not just in the patterned paper, but also in the use of multiple chipboard arrows. I love using chipboard elements because they are an easily customizable embellishment and a quick way to add dimension. I also got to play with paint mist again, and I’ve really liked the outcomes with these paints, though the process can be messy.

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Spring on ice

It is spring, isn’t it? It looks like spring. The grass is a vibrant shade of green, the trees are budding and the flowers are blooming. Friday didn’t feel like spring, though. There was a chill in the air here in Springfield, Ill. The day did not offer a temperature higher than 44, and the blustery wind pushed winter back into our thoughts. There were snowflakes in the air. Light flurries, even.

Springtime typically means crazy weather here. One day, it will be in the 50s and cloudy; the next, it’s in the 80s with a tornado watch. Frankly, I don’t mind the weather being a little cooler, but gusts of cold air and snowflakes are a bit much for this time of year. We had 18.5 inches of snow in the last week of March, and according to the calendar, it was spring.

The weather got me thinking about “spring on ice.” Pretty, fresh flowers covered in frost. A colorful world covered by winter’s white cloak. I pulled out my white cardstock and glitter to craft an all-white spring card. Almost all white. I added a touch of color with the sentiment. I also used a lot of dimensional adhesive to separate the monotone layers.

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Zig, zag, zing

It used to bother me when a clear stamp would not deliver an evenly inked image. Clear stamps, also known as acrylic or photopolymer stamps, tend to leave a softer image on the paper than rubber stamps. Ink tends to bead on the stamp’s surface, however, which leads to an uneven stamped image.

Rubber stamps leave a crisp image, but I often find that I wish I could see through them to tell where I’m stamping, as I can with clear stamps. And though I have a sizable collection of block-mounted stamps, I’ve always preferred the compact storage of cling stamp sets. Cling sets also are cheaper and can offer several stamps per set. I guess you could say I cling to clear stamps. I couldn’t pass up a chance for a bad pun.

To combat ink beading on a clear stamp, gently rub an eraser over the stamp. Or, you can skip this step and embrace the stamp’s imperfections.

The unevenly inked chevron line breaks up the balanced appearance of the card and softens the boldness of the neon-orange ink. I wanted the zigzag to be the focal point, so I kept the rest of the elements all close to the same light-blue tone.

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Out of the office

If you’re a “Mad Men” fan, then maybe you’re as excited as I am for tonight’s two-hour premiere of the sixth season. I’ve missed the SCDP team (now minus “P”). I made the mistake of reading a Slate.com article about the season opener. “Minor” spoilers? Pffft. I think not. Why did I read it … all of it?!

Whom am I kidding? I would have read the entire article if it were a detailed play-by-play. I’ve read Wikipedia articles about “The Walking Dead” comic books, looking for hints as to what my favorite zombie-apocalypse drama will bring. Ahem. Moving on …IMG_0444-Edit

In honor of “Mad Men,” I planned to create a card inspired by the 1960s. I had a specific October Afternoon journal card in mind, and I wanted to add a funny sentiment to it, but the journal card was MIA. My craft area is organized, but I have a habit of piling up products around my workspace, such as stacks of acrylic-stamp sets and leftover cardstock. I’d been brainstorming ideas with that journal card weeks ago, so I knew it was somewhere.

I went through a pile of notepaper and stacks of cardstock, looked under packages of rub-ons and clear stamps, peered beneath my craft-cart-on-wheels. No journal card. I had resigned to letting it go and using a different one, and then I flipped through my pile of notepaper one more time … out flew the card.

I’m happy that I found the journal card, because I don’t think a different one would have worked as well. I like how my “seriously?” talk bubble fits the theme of office talk with the word strip that shows “watercooler” and “gossip.”

When October arrives, I might try a Halloween card inspired by “The Walking Dead.” Are there stamps of zombie images?

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