Tweet crafting

Among the new acquisitions in my craft room are photopolymer stamps that traveled a long way to get there.

I was again browsing one of my favorite sites, Etsy, taking a gander at what type of stamps were available. That’s when I came across a brand I hadn’t heard of before: Flonz. A search on Google turned up the company’s website, where I discovered a wide array of clear stamps produced by a small business in New Zealand. I purchased a few and eagerly awaited the long-distance package. I was so excited when it arrived that I posted a photo of the envelope on social networks.

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I used one of the stamps the Kiwis sent me to try out a different inking technique. Lately, I’ve been crazy about paint mists. I’ve solely used Heidi Swapp shimmer paints in a few colors to ease myself into the medium. I’ve sprayed directly onto paper and indirectly onto chipboard. For this card, I sprayed the paint into a tray and used it to ink my stamp. It took several attempts to achieve a satisfactory transfer. I learned that allowing the paint to dry a little and using smooth cardstock helps create a clean image. I wanted a bit of texture in my image, though, so I stamped on the reverse side of textured cardstock, which shows a bit of the impressions in the paper.

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Here’s how to make it:

Cut a 3-inch-square piece of white cardstock (I used the reverse side of textured cardstock). Spray blue-green mist paint (I made my own by combining Heidi Swapp Color Shine paints in mint green and teal) into a tray or onto a paint-safe surface. Let the paint dry a bit, then ink a tree stamp (such as drop tree by Flonz) with the paint and stamp the image onto the white cardstock.

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Allow the paint on the paper to dry. Distress the edges of the paper. Attach a flocked black, bird-shaped brad to the cardstock, over the tree.

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Stamp a talk-bubble image featuring “hello” (mine’s from the Up and Away collection from Find Your Wings and Fly by Rhonna Farrer for My Mind’s Eye) in gray ink (I used Fresh Ink in slate) onto a piece of light-teal cardstock. Cut the image out.

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Make a card from a 5-by-10-inch piece of teal textured cardstock. Cut a 4 1/4-inch-square piece of black-and-white, floral-patterned cardstock (I used the reverse side of “Enjoyment” from the Celebrate collection by Authentique) and adhere it, centered, to the card’s front. Cut a 4-inch-square piece of yellow trellis-patterned cardstock (such as from the Park Bench collection by Fancy Pants Designs) and adhere it, centered, to the floral paper. Adhere the tree piece, centered, to the yellow paper.

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Using dimensional adhesive, affix the talk bubble close to the bird.

Stuck on washi

Mother’s Day is tomorrow, and (gasp) crafty you has been too pressed for time, in a creativity slump or (yipe) you forgot to make a card.

I was pressed for time this year, but washi tape came to my rescue. In half an hour, at most, I had a card.

I also tried stamping for the first time on washi. I used multi-surface inks just in case the tapes’ surfaces were too slick to absorb regular ink, and they worked well.

Tape, stamp, bling, stick … done. Fabulous!

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Arrows to the heart

One of my husband’s friends got married this weekend, and I was excited to create a card for the couple. As I’ve done with past wedding cards, I borrowed design elements from the invitation to use in my creation.

I created the patterned paper for this card by making the design in Adobe Illustrator and printing it on cream-colored cardstock. The black, magenta and cream are the colors of the invitation, and the pattern of the black hearts mimics a bold, modern font that the couple used. The design has repetition not just in the patterned paper, but also in the use of multiple chipboard arrows. I love using chipboard elements because they are an easily customizable embellishment and a quick way to add dimension. I also got to play with paint mist again, and I’ve really liked the outcomes with these paints, though the process can be messy.

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Spring on ice

It is spring, isn’t it? It looks like spring. The grass is a vibrant shade of green, the trees are budding and the flowers are blooming. Friday didn’t feel like spring, though. There was a chill in the air here in Springfield, Ill. The day did not offer a temperature higher than 44, and the blustery wind pushed winter back into our thoughts. There were snowflakes in the air. Light flurries, even.

Springtime typically means crazy weather here. One day, it will be in the 50s and cloudy; the next, it’s in the 80s with a tornado watch. Frankly, I don’t mind the weather being a little cooler, but gusts of cold air and snowflakes are a bit much for this time of year. We had 18.5 inches of snow in the last week of March, and according to the calendar, it was spring.

The weather got me thinking about “spring on ice.” Pretty, fresh flowers covered in frost. A colorful world covered by winter’s white cloak. I pulled out my white cardstock and glitter to craft an all-white spring card. Almost all white. I added a touch of color with the sentiment. I also used a lot of dimensional adhesive to separate the monotone layers.

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Zig, zag, zing

It used to bother me when a clear stamp would not deliver an evenly inked image. Clear stamps, also known as acrylic or photopolymer stamps, tend to leave a softer image on the paper than rubber stamps. Ink tends to bead on the stamp’s surface, however, which leads to an uneven stamped image.

Rubber stamps leave a crisp image, but I often find that I wish I could see through them to tell where I’m stamping, as I can with clear stamps. And though I have a sizable collection of block-mounted stamps, I’ve always preferred the compact storage of cling stamp sets. Cling sets also are cheaper and can offer several stamps per set. I guess you could say I cling to clear stamps. I couldn’t pass up a chance for a bad pun.

To combat ink beading on a clear stamp, gently rub an eraser over the stamp. Or, you can skip this step and embrace the stamp’s imperfections.

The unevenly inked chevron line breaks up the balanced appearance of the card and softens the boldness of the neon-orange ink. I wanted the zigzag to be the focal point, so I kept the rest of the elements all close to the same light-blue tone.

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Out of the office

If you’re a “Mad Men” fan, then maybe you’re as excited as I am for tonight’s two-hour premiere of the sixth season. I’ve missed the SCDP team (now minus “P”). I made the mistake of reading a Slate.com article about the season opener. “Minor” spoilers? Pffft. I think not. Why did I read it … all of it?!

Whom am I kidding? I would have read the entire article if it were a detailed play-by-play. I’ve read Wikipedia articles about “The Walking Dead” comic books, looking for hints as to what my favorite zombie-apocalypse drama will bring. Ahem. Moving on …IMG_0444-Edit

In honor of “Mad Men,” I planned to create a card inspired by the 1960s. I had a specific October Afternoon journal card in mind, and I wanted to add a funny sentiment to it, but the journal card was MIA. My craft area is organized, but I have a habit of piling up products around my workspace, such as stacks of acrylic-stamp sets and leftover cardstock. I’d been brainstorming ideas with that journal card weeks ago, so I knew it was somewhere.

I went through a pile of notepaper and stacks of cardstock, looked under packages of rub-ons and clear stamps, peered beneath my craft-cart-on-wheels. No journal card. I had resigned to letting it go and using a different one, and then I flipped through my pile of notepaper one more time … out flew the card.

I’m happy that I found the journal card, because I don’t think a different one would have worked as well. I like how my “seriously?” talk bubble fits the theme of office talk with the word strip that shows “watercooler” and “gossip.”

When October arrives, I might try a Halloween card inspired by “The Walking Dead.” Are there stamps of zombie images?

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Crafty ‘stache

I’m all for double-duty craft products, such as double-sided patterned papers. If I’m looking for a coordinating paper to a patterned cardstock, often a match is on the reverse. Sometimes, it’s hard to decide which patterned side I like the most. Why decide? Get the best of both worlds by using both patterns in the design, as I did with this card.

Initially, I thought I’d go all vintage-themed. I thought of using some patterned cardstock that looks like a vintage newspaper, and maybe add a stamp of a pointing hand in faded colors. Then, I rediscovered the patterned paper that I used here. I became “pattern happy” and found other papers that coordinated well. The design feels more modern, but the hints of an old dictionary page and the stripe that imitates stitching lend another touch of vintage.

With the color scheme and patterns, this card’s vintage-themed elements have a more playful look. Huzzah!

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Bright birthday

When I was little, I loved coloring books. Any medium would do: crayons, colored pencils or markers. I was proud of my large plastic case of Crayola crayons, organized by hue.

These days, I’ve been playing with alcohol-based markers. The inks can blend together easily because of the alcohol base. I haven’t done much blending with them yet, but I put them to use for creating a bright background pattern for a birthday card. Using pink and turquoise shades, I drew stripes upon stripes, freehand, in a random order. This effect can be done with regular markers, too, or neon highlighters, if you’re feeling adventurous.

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Feeling blue

“You should make a get-well card for yourself. You’ve been sick all week.”

My husband suggested this to me Friday after dinner. It’s true — I have been sick all week. It’s been a week filled with soup, including the tasty shrimp pho I had Friday; annoying, harsh coughing fits; nights of interrupted sleep; and a sharp decline in motivation and creativity.

Friday was the first day this week that I started to feel normal, though you couldn’t tell by my raspy voice. I challenged myself to make a card in the eleventh hour for this blog. I’ll call it “being realistic,” because sometimes life presents a situation for which you must craft quickly.

Stay healthy, my friends.

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Hello, mister

Shake. Clickety-clack. Shake, shake, shake.

Spritz. Spritz. Spritz.

Drip. Splat. Drip.

There are new sounds coming from my craft space. A wide variety of paint mists have joined the paper-craft industry. In the past, I enjoyed painting with watercolors, gouache and acrylics for art projects, so I purchased a few Heidi Swapp mists to try. These sprays have shimmery particles in them and need to be shaken well. Each bottle has a small metal ball to help blend the contents. They’re noisemakers, especially when shaking more than one at a time.

After shaking things up, I placed my cardstock in a plastic lid that came with a disposable baking pan. The lid worked well as a spray shield for my workspace.

I kept my design minimal to feature the shimmery, watercolor-like sprays and splatters.

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